As director of the movie I feel like there is a lack of organisation within the group which leads to us being confused so I've decided to organise the shot list into scenes. This should contain all the information we/I need.
Scene 1.
Undecided.
Scene 2.
Interior. Lucy's House.
Lucy wakes up and realises she is late for college. She rushes around brushing her teeth and her hair. We are going to use jump cuts to emphasise the haste of her morning. She grabs some toast off the side. Slides on her shoes and goes out the door.
Scene 3.
Title sequence.
Scene 4.
Interior. Corridors
Lucy arrives at college and gets lost. Could use jump shots and very quick shots of different places to create the effect of confusion. She eventually gives up and settles for sitting in the library.
Scene 5.
Interior. Library
Lucy is sat in the library, we could have a shot of emily putting some books back on the shelf and then noticing Lucy sat down. Emily-Jayne goes over to Lucy and helps her out. I was thinking of putting a series of extreme close ups together as she pulls the piece of paper out of her pocket to show Emily-Jayne where she is supposed to be.
Scene 6.
Interior. Corridors, Classroom
Lucy walking up to the door of her classroom. The teacher acknolages her and then tells her to take a seat, she does so.
Scene 7.
Interior. Lucy's house.
Lucy arrives home from first day has little conversation with her mum and goes upstairs.
Scene 8.
Interior. Library
Lucy is sat at a computer while a group of girls from across the room shout abuse at Lucy.
Scene 9.
Exterior. Pavement.
Lucy and Emily-Jayne walk on the pavement by the side of the road. The group of girls go by in a car and throw soemthing out of the window at them, it hits lucy.
Scene 10.
Interior. Cafe
They walk into a cafe order coffee and sit down. Lucy's mum rings her and tells her about her forgetting to take her medicine.
Scene 11.
Interior. Lucy's Bedroom
Lucy's mum finds the pills scatterd under her bed.
Scene 12.
Interior Cafe/Lucy's bedroom
Scene follows the conversation on the phone more directly.
She sets off to go home.
Scene 13.
Interior Lucy's house.
She goes home takes her medicine and goes upstairs.
Scene 14.
Interior Lucys bedroom.
I'm going to put alot of emphasis on this scene, there is going to be no dialogue and i want this to be the point where Lucy sort of realises herself as she stares at herself in the mirror. Her expression is to be blank. The room should be low lit.
Scene 15.
Interior. Corridor.
Lucy and Emily-Jayne are talking to one another on the phone, then she meets up with her.
I thought we could add signal problems to the call, which is to show that her medication is starting to work and Emily-Jayne is slowly leaving her mind.
Scene 16.
Simons Classroom
Lucy walks into Simons empty classroom looking to sort out the bullying. She finds out alot more when she realises that Emily-Jayne suddenly starts to fade away. The lighting should be dimly lit.
As Lucy is pacing around the room in confusion i would like to have Emily-Jayne appear for a split second. I got this idea from the film Fight Club where he uses flashes of Tyler Durden whilst the Narrator is speaking. Like in the dieing seconds of this link.
[Tyler Durden Flash]
I hope to make Emily-Jayne stand out alot more than this but hopefuilly this will create an exciting effect that may help the audience understand Lucy's confusion.
Scene 17.
No set location.
In this scene i would like for everything to unwind in Lucy's mind through a series of flashbacks and expressions of shock on Lucy's face. I want her to realise that she has been on her own all that time, that Emily-Jayne never existed. I want her to visualise her self walking down corridors speaking to herself. Sat in the cafe alone. Maybe it would be a good idea to film the flashbacks in slow mode. to make it look a little bit different. Or maybe have the flashbacks in really low lighting. I am going to research flashbacks in other films to get more ideas.
The film ends on a close up which could also do a quick zoom upto her face, as she screams. Then the credits can roll.
Thursday, 10 December 2009
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